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6Black Shares Two New LUCIANBLOMKAMP- Produced Bonus Tracks

November 20, 2017

Australian producer Lucianblomkamp recently released Sick of What I Don’t Understand Part 1, the first of a 3-part album – Parts 2 & 3 are due early 2018. 

While working on his own material, the young producer has also been in the studio with friend Singawd, working on Atlanta rapper 6LACK’s tracks. Previously the duo collaborated on 6LACK’s “That Far,” today Lucian is excited to see the release of two more collaborative tracks; “In Between” ft BANKS and “One Way” ft. T-Pain. 

Listen to “In Between”

Listen to “One Way”

Speaking on the collaboration, Lucian says:

"Writing for 6LACK has been an incredibly unique experience and I only got given the opportunity through a kind soul named Trevor (aka Singawd), who regularly produces for 6LACK. He sampled my track “Catskill Mountain Resort” to create one of 6LACK’s first singles “Bless Me.” While the song did incredibly well, it wasn’t until Trevor sampled me again on the track “Alone/EA6” when we properly started communication and began to form an online friendship. It still baffles me how much faith Trevor has had in my abilities, and as a result I feel that has helped immensely in the process of writing together. While writing for other artists has always been based around some kind of brief or core sound the artist is going for, it’s been such a privilege for Trevor and 6LACK to encourage me to write as creatively and independently as I want. It shows great promise for a team of musicians and artists whose aim is to not become bogged down by the style that they’ve been known to create. We’ve already written so many unreleased songs together so hopefully a decent number of them get to see the light of day at some point or another."

LUCIANBLOMKAMP’s third album Sick of What I Don’t Understand is themed around difficult transformations and self-realisation. Almost a commentary on itself, it's a documenting of the processes Lucian went through to break out of his previous accomplished but limited incarnation to new levels of ambition and confidence he now shows as a musician.

On Part 1 you can hear exactly how far Lucian has branched out - from the Massive Attack-like ‘Crawling’ to the fearsome drone and rolling rhythm of title track ‘Sick of What I Don’t Understand’, and the mutant pop of ‘Nothing’ featuring the beautifully alien vocals of Rromarin, to a dreamlike reimagining of UK bass on ‘Still No’,which features the dark poetry of MC legend Trim.

The album title – Sick of What I Don't Understand – means many things, but in part alludes to the frustration of wanting to reach outside one's own comfort zone. SOWIDU is not a piece of musical theatre, mind, nor is it just self-analysis: it is a fully-functioning album in its own right, and many of the expressions of the themes are subtle and metaphorical. But its central message is instantly audible, as you hear Lucian unfolding and expanding as a composer and performer, on a record dramatically different from the intimate, hazy electronica of its predecessors.

Lucian’s output has always been ferocious, and soon found himself the recipient of the Northern Lights Competition run by community radio station FBi backed by the Australian government, the prize being to play at the Iceland Airwaves Festival in Reykjavik and collaborate with local artists. A number of Lucian’s songs have been sampled by Atlanta hip hop artist 6LACK, which not only helped raise his international profile but led to an ongoing and fruitful creative relationship - most recently with Lucian producing 6LACK’s track ‘That Far’ - and certainly aided the stylistic branching out that SOWIDU documents. Likewise, a mixtape with John Hassell of hugely influential Sydney electronic trio Seekae helped develop the steely sonic focus that would get Lucian where he is now.

LUCIANBLOMKAMP’s third album Sick of What I Don’t Understand will be released in three parts over the next year. Part 1 is out now via Different Recordings.

Sharon Jones & The Dap-Kings 'Soul of a Woman' Out Today via Daptone Records, The Dap-Kings to perform 'A Tribute to Sharon Jones' on The Tonight Show Starring Jimmy Fallon This Evening

November 17, 2017

Praise for Soul of a Woman:

"An unexpected final gift." – Paste

"Grandly uplifting, horn-driven soul." – NPR

"Ms. Jones summoned all her expressive power for this album, with all the strength, longing, hurt and improvisational command that were still hers." – The New York Times

"Sharon Jones recorded Soul of a Woman with the extraordinarily able and reliable Dap-Kings while battling the cancer which took her life a year ago — but her energy and vocal prowess are undiminished here." –Associated Press

"Soul of a Woman is an album that presents the full range of Sharon Jones and the Dap-Kings — a band that ushered in a soulful revolution and changed the face of contemporary R&B. " - SF Weekly

Sharon Jones & the Dap-Kings' final studio album Soul of a Woman is out today onDaptone Records. A lush, orchestral masterpiece, the dynamic album was recorded before Sharon's passing last November (a year ago almost to the day) and captures the riveting performer’s incredible vocal capabilities and a band at the peak of their power.

Named "Album of the Month" with a 9/10 rating by UNCUT and called "a tremendous valedictory lap" by MOJO (****), Soul of a Woman is the band's endeavor to create a record that stretches the limits of their soulful sound in all directions, giving us both their rawest and most sophisticated recordings to date — the final album by one of the most influential soul voices of the 21st century.

Watch the videos for "Call on God" and "Matter of Time"

In celebration of the life and spirit of Sharon Jones, the Dap-Kings will perform a special tribute to their beloved leader on The Tonight Show Starring Jimmy Fallon this evening, November 17th, at 11:35 pm est/8:35 pm pst.

Watch "A Tribute to Sharon Jones" by the Dap-Kings on the Tonight Show Starring Jimmy Fallon this Evening at 11:35 pm est/8:35 pm pst

Soul of a Woman features eleven songs recorded with her long-time co-conspirators, the Dap-Kings, which reveal that the emotion, dynamics, and drama of Jones' voice remained at full power until her final days. The album is a true testament to the life and career of Daptone's fearless leader and one of the world's greatest performers.

Soul of a Woman Tracklist:

1. Matter of Time

2. Sail On!

3. Just Give Me Your Time

4. Come and Be a Winner

5. Rumors

6. Pass Me By

7. Searching for a New Day

8. These Tears (No Longer for You)

9. When I Saw Your Face

10. Girl! (You Got to Forgive Him)

11. Call on God

 

Stream/Buy Soul of a Woman:

Digital: http://geni.us/0CuDagB

Physical: http://bit.ly/DAP050

 

Sharon Jones & The Dap-Kings Socials:

Website: http://sharonjonesandthedapkings.com

Facebook: http://www.facebook.com/sharonjonesandthedapkings/

Twitter: @sharonjones @the_dapkings

Instagram: @sharonjones @the_dapkings

Praise for Sharon Jones & The Dap-Kings:

"Starting at age 40, [Sharon Jones] began to realize the dream of every kid who ever saw a mic and thought 'One day...' She went on to forge a 20-year career of incomparable performances and influential recordings that'd be the envy of any artist out there. And in those final, difficult years, her dedication to her band and fans, her ineffable presence on stage, reminded me that there is still a beauty and grace in this world that even the specter of death cannot diminish." - NPR

"In venues filled with people half her age, [Sharon] Jones was the most dynamic person in the room, bolting onstage and commanding the crowd... respecting the soul and funk elders that defined the genres while displaying seemingly boundless vitality. Jones' power was the ability to straddle the line between thankful humility, born out of late-in-life success, and boastful performer." - Rolling Stone

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Baths Shares New Album 'Romaplasm': Out Today via Anticon

November 17, 2017

New music from Will Wiesenfeld aka Baths is always an event, but when it heralds the arrival of a whole new album (his first since 2013’s Obsidian), it’s really something to get excited about. The carefully constructed and masterful Romaplasm is Wiesenfeld's 3rd album and it showcases Wiesenfeld's songwriting ability like never before. It is out everywhere today via Anticon / Tugboat Records (Japan). Listen to it in full HERE.

 

Watch the Lyric Video for "Extrasolar"

https://youtu.be/0m0nllJjFuU

Watch the Music Video for "Out"

https://youtu.be/j0bFmDt2n2E

Listen to "Yeoman"

https://youtu.be/BYkP4WRM118

PRAISE FOR BATHS:

"If you're in dire need of a smile, this is the perfect place to start." - Pigeons & Planes

"Adding a beat has done wonders for packaging his sound, suddenly making his upcoming Romaplasm a last-minute highlight of the year." - High Snobiety

"...perfectly produced bedroom pop that actually imagines leaving the bedroom." -  Paste Magazine

"[Romaplasm] is unadulterated, lush, layered—much like life, itself. Never, though, has existentialism and the human quest for purpose sounded so damn bubbly." - Nylon

 

Comfort can be a crutch or a conduit for a creative breakthrough. For Baths, it’s led to a level of artistic confidence and stability that’s allowed him to produce his finest work. Enter Romaplasm, a profoundly emotional record steeped in the at-home obsessions of LA's Will Wiesenfeld.

"I'm not as emotive with real world things as I am when I’m neck deep in anime, video games, books or comics...” Baths says. "I wanted to be honest with myself that this is where my heart lies and where I get the most emotion out of life. I wanted a record that mirrors those emotions but in an indirect way."

In his own singular style, Baths has created his own post-modern take on Romanticism.Romaplasm bears a similar emphasis on emotion and individualism. You can see the hallmarks of the movement’s stress on awe—and like many of the great Romantic artists, he confronts the gnawing chaos of life with a focus on beauty and the sublime.

For as long as Will Wiesenfeld has been Baths, he’s been trafficking in perfect—or, more often and more interestingly—near-perfect pieces of pop. The project first emerged in 2009, merging the glitchy, punishing gloom of L.A.’s beat scene with sunnier melodies and vocals that often drifted into falsetto. The music was an instant sensation. Publications like Pitchfork heaped praise on his debut album, 2010's Cerulean, which codified the sound;Obsidian, which followed three years later, in part chronicled Wiesenfeld’s recovery from a ghastly illness, and was even more well-received.

The opener "Yeoman" could slide into Top 40 radio rotation, except for how tactilely you feel each component part, like Baths is constructing the record right in front of you, in real time; "Superstructure" marries an earnest and straightforward vocal to a track that’s glitchy and propulsive and could soundtrack the climax of a gritty art film.

As with any artist who toys with name and identity, Wiesenfeld's nods to a life that is truly personal (rather than persona) are given extra weight, extra attention. When he sings, on “Human Bog,” "Queer in a way that’s failed me / I’m not enough of anything," it's dripping with the sort of despair that’s won only through years of lived experience. Wiesenfeld is an artist who, through his work as Geotic, has carefully deconstructed songwriting into its basest parts; as Baths on Romaplasm, he reassembles the pieces of his musical and personal lives in the most piercing ways imaginable.

As always, Baths is unafraid to run counter to his surroundings: delicate when others are posturing, gripping and visceral where others drift into the digital morass. But this album is not about contrarianism, or about rejecting the status quo. It’s about centering the things that are important to you, and doing so in the most honest way possible, even if that means fucking things up a bit along the way.

Order Romaplasm here: https://www.anticon.com/item/romaplasm

Baths Assets are available HERE.

 

Introducing EST-HER: Former Ballet Dancer Shares Second-Ever Song + Video via Pigeons & Planes

November 15, 2017

Toronto native Est-Her was a professional ballet dancer with a successful dancing career ahead of him, until one day he pushed it all to the side. After spending many late nights after rehearsal writing music, he decided it was time to pursue a musical career under his moniker. Est-Her soon caught the attention of producers at home in Toronto and in the UK, where he traveled to record his first releases, and the resulting first single - the dark and massive pop-gem "Sympathy" - landed him a BBC Radio 1 premiere with Annie Mac, and praise from Pigeons & Planes who said "one of the best debut songs we've heard"

Today Est-Her shares his second-ever single, another self-released track entitled "Last Minute Wedding." Accompanied by a dramatic music video that was self-directed by Est-Her, "Last Minute Wedding" is another exciting look at what's to come for this talented new artist. Listen to the track and watch the video now over at Pigeons & Planes.

Est-Her explains:

"I've been sitting on some of these tracks for a year now, and it feels so good to release more and more. My first track 'Sympathy' was pretty aggressive, so thought I'd take a deep breath with 'Last Minute Wedding' which I wrote with a crazy talented young producer from France named Poter Elvinger. I have about three albums-worth of music I'm sitting on at the moment, and my laptop is dying. I think it's time.  

"When I'm writing, I always have some film playing in the background. When I finish each track, I splice together these supercuts from either scenes of films that I love, or random clips I think best suits the song. For 'Last Minute Wedding,' I started compiling a ton of home movies of weddings taped on VHS, and sped them up to look like a flip book. I had fleshed out a whole bride and hearse concept, and brought it to a good friend of mine to help me film it on a small budget. It was way too much work for the team of people we had, but it all worked out and it feels good share it."

Watch this space for more on Est-Her: www.est-her.ca

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FRIGS Share New Track 'Doghead', Wolf Parade Tour Starts Today, Debut LP Coming in 2018 via Arts & Crafts

November 15, 2017

“led by vocalist Bria Salmena, whose affecting brood places FRIGS in the same canon as other emotive, female-led indie outfits—think Angel Olsen, Torres, Weyes Blood, et al. And they’re of that same caliber, too.”- Nerdist

“Vicious slabs of noise are offset against open-ended guitar notes reminiscent of Deerhunter and Preoccupations” - DIY

“Salmena's vocal emphasis flips between gruff and sweet, and the pace moves from militant, atonal power rock to a woozy, notably powerless standstill” - The FADER

“sludgy, scuzzed-out post-punk awash in psychedelic feedback and the grunge-hewn emotional ferocity of singer Bri Salmena. It's visceral. It spits.” - Noisey


Following the release of last year's Slush EP and the standalone single “Chest”, Toronto four-pieceFRIGS today share “Doghead”, the first track to emerge from the band's debut album due for release in early 2018 through Arts & Crafts.

LISTEN: FRIGS – “DOGHEAD”


Of the track, the band says “Doghead was inspired by a charcter in Nick Cave's And the Ass Saw the Angel, using partial dialogue directly from the novel. Themes in the song include how lustful behaviors and jealousy play into a desire for power.”
 
FRIGS - “Doghead” track art
“Doghead” comes as the band embark on a UK/EU tour supporting Wolf Parade. All dates, including a London headline show, are listed below.

UK/EU Tour Dates:
Nov 15 - Amsterdam, NL - Melkweg *
Nov 17 - Paris, FR - Petit Bain *
Nov 18 - Bristol, UK - Thekla *
Nov 20 - Dublin, IE - Button Factory *
Nov 21 - Manchester, UK - Gorilla *
Nov 22 - London, UK - O2 Forum *
Nov 23 - London, UK - Ryan's Bar
Nov 24 - Brussels, BE - Botanique (Orangerie) *
Nov 25 - Nancy, FR - L’autre Canal *
Nov 26 - Basel, CH - Kaserne *
Nov 27 - Munich, DE - Hansa39 *
Nov 29 - Berlin, DE - Bi Nuu *
Nov 30 - Hamburg, DE - Gruenspan *
Dec 01 - Copenhagen, DK - Loppen *
Dec 02 - Stockholm, SE - Strand *

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